Sweet music & community places & spaces – the perfect antidote to politics and politicians
Ne’er cast a clout til May is out. Electioneering mud-slinging has already ensured that May is knee-deep in more than clouts. But, hurrah! Today marks the end of the scrabble for our votes – although the shirt-tugging and hair-pulling will doubtless live on. For me voting is a bit like making a Pavlova. I always go through the same process but the end result isn’t always what I’d hoped for. That’s why, amidst all the endless politicking in Berwick, it’s nice to turn to other more productive topics.
Just before I do, I should recap (for those who’ve been lurking under a duvet for a couple of years) that the upturned dander of the politicos amongst us is largely due to the fiercely contested nature of the Berwick-upon-Tweed seat. Lib Dem Sir Alan Beith has been warming it for the last 42 years since the then Tory incumbent Lord Lambton resigned after a scandal that would probably have enhanced his profile if he’d been a French MP. With Sir Alan’s retirement, the Tories are desperate to plump up the cushions of power for their own pert posteriors. And so the game of election musical chairs has been particularly discordant. Happy days.
Sweet music was abundant at the Maltings’ 25th birthday celebration. Local talent shone in ‘Here Come the Girls’, directed by the indefatigable Wendy Payn. My personal highlight? The boys’ take on the Ronson/Mars classic ‘Uptown Funk’, closely followed by Katie Hindmarsh’s rendition of Hairspray’s ‘I know where I’ve been’. Fast-forward a couple of weekends and the Guildhall rang to the soaring notes of Northumbrian Kist, confected by Maltings Chief Exec Matthew Rooke. The deftly muscular National Youth Orchestra of Scotland, energetically helmed by Chris George, sailed through a true treasure chest of a programme sparkling with local references and talent. Mezzo soprano Tamsin Davidson and baritone Alan Rowland were perfect foils in Rooke’s tapestry of traditional tunes. Alison Coates pinpointed the twinkly naughtiness of ‘Wor Geordie’s Lost ‘Is Penker’. In Agustin Fernandez’s stunning ‘Arreglos Bolivianos’ the strings momentarily sounded like Bolivian pipes – incredible; whilst Alice Burn (sometime protégée of Fernandez’s partner, Kathryn Tickell) gave us no-holes-barred Northumbrian Pipes; Rooke’s ‘An a Craw Can Sing Anaw’ was a light-handed smile-inducing homage to Vaughan Williams’ ‘Lark Ascending’ and a perfect showcase for Sam Lord and her bass clarinet (or crow).
If you missed the Maltings’ celebrations, the free Party on the Parade (Berwick Rotary Club and Leukaemia & Lymphoma Research) on 24th May has rapidly become a town tradition. It’s a great bash and another opportunity to tap your toes to local talent.
The public spaces of Berwick are looking absolutely cracking. Kate Morison and her team of volunteers have managed to turn Castle Vale Park, Coronation Park and surrounding spaces into delicious areas for frolics, picnics, or simply to be. And, when mindless vandals attacked one of the handsome new shelters, local tradesmen stepped in and made them good: that’s community. Kate’s laid on a programme of events in the parks, from photography workshops to the wildly successful Easter egg hunt, from family sessions to get you up close and personal with pondlife and heritage to live dance and a dawn chorus walk. Alternatively (or as well!) head seaward to the crow’s nest atop the Coastwatch Tower by Magdalene Fields Golf Course. Volunteers have made this a place of beauty and information. The vertiginous stair will give you an adrenalin rush and the views will make your heart soar (open at weekends).
Here’s a thought. Whatever the result today, let’s lock the politicians in a padded room where they can clout each other to the end of time – we could call it the House of Commons. The rest of us can get on with engaging in the community day-by-day and appreciating our tip-top corner of Northumberland.
A version of this article was published in the Berwick Advertiser on 7th May 2015